Mark Kalsbeek
is a programme curator, writer and poet. He worked at the Amsterdam theatre Carré and is a programmer and programme curator at The Hague's Theater Dakota. Mark is the regular guest poet during Oma Greet's talk shows in Theater Dakota and Studio De Bakkerij. His poems and short stories were published on Krakatau, in literary magazine Schoon Schip, in his own poetry collection Vlek and in the collection Bestemming.
(WN 2019)Archive available for: Mark Kalsbeek
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Dakota's Winternachten Story Festival: Stories from Afar
With: Anima Jhagroe-Ruissen, Arshia Sattar, Çiler Ilhan, Duygu Alkan, Francis Broekhuijsen, Jhilani Wijsman, Mark Kalsbeek, Shagun, Turks koor Escamp, Wieteke van Dort
The Winternachten Story Festival at Theater Dakota came to its festive conclusion on Sunday afternoon. 'Stories from Afar' was a large and varied programme with stories, music and dance from and about India, Turkey and the Dutch Indies. The programme had two parts: before the intermission you chose one of three country programmes, each in a separate room. You heard music and stories of writers and local residents about their country of origin.
The India programme included an appearance by writer Arshia Sattar. She's an expert on the Ramayana and a great storyteller. Dancer Anima Jhagroe-Ruissen, pupil of Sangeet Natak Academy Awardee Guru Geetanjali Lal, performed with a music ensemble consisting of Viresh Kisoendajal (tabla), Lehra (sitar), Martijn Barendregt and Shivant Jhagroe (harmonium) en Ilyas Nadjafi (vocals).
The Turkey programme included appearances by writer Ciler Ilhan, currently famous for her story collection In Exile, and vocalist-ud player Duygu Alkan. Wieteke van Dort told the most beautiful stories about the Dutch Indies. After the break came a stunning finale for all visitors. Francis Broekhuijsen introduced performances by all the above-mentioned and more artists in the great hall of Theatre Dakota: music by Hindi pop band Shagun, the choir Turkuaz from Escamp and The Hague-based singer-songwriter Jhilani Wijsman. When you reserved tickets, you also chose the country programme that takes place before the intermission. Your ticket was of course also valid after the break.