(Amsterdam, 1972) was already known as a poet-performer before a syllable letter of hers had been published. In 1997 she became well-known nationally through her performances at big literary festivals. Her debut Genoeg gedicht over de liefde vandaag (Done enough love poetry for today) followed only two years later and was nominated instantly for the NPS-Cultuurprijs. Her second collection of poems, Koffers Zeelucht (Trunks full of sea air; 2003) was awarded twice. By the end of 2008 Loper van Licht (Light walker) appeared. Peeters aspires to give poetry a bigger role in society. Early 2009 she participated in the election of Dutch Poet Laureate. Her new collection of poems Wasdom (Growth) was published in 2011. In 2016 her first novel was published, 'Malva'. It tells the story of the daughter of poet and Nobel Prize winner Pablo Neruda.(nov 2010)
Archive available for: Hagar Peeters
In the second hour of De Avonden poet and performer Hagar Peeters tells how she incorporates Utopian Thinking in her new book Wasdom. Writer and cabaret artist Martijn Knol writes a manual of how we can indeed build a new Utopia together for the 21st century. It is a passionate and concrete plea for a new world community. Motivational speaker and spoken word artist Omékongo Dibinga will convince the audience in a short performance that personal happiness is within reach. Tim Parks and David Mitchell talk to each other on the need of the imagination of a better world in their own work. Hosts: Jeroen van Kan and Catherine van Campen. Broadcast live on VPRO Radio. In Dutch and English.
Jeroen van Kan talks to Marja Pruis about her collected essays on literature. What is the happiness of writing about the minutest details? The Congolese/American spoken word artist Omékongo Dibinga enters into a poetic battle with Martijn Knol and Hagar Peeters on the feasibility of a better world. In Dutch and English.
The new generation of poets Ronelda Kamfer (South Africa), Alfred Schaffer (Aruba/the Netherlands) and Hagar Peeters (the Netherlands) recite from their work and talk to Stephan Sanders about their language and poetry. Ronelda Kamfer writes in Afrikaans. Is that language in her country still symbolic of the language of the Apartheid regime? Is Afrikaans beyond guilt, or is there a job to do here for Afrikaans poets like her? Alfred Schaffer, the son of an Aruban mother and a father from Limburg, writes his poems in Dutch and lived in South Africa for a while. In her poetry Hagar Peeters explores modern specimens of suppression in the Netherlands. How do these three young poets look at the guilt or innocence of the language they write in? And how does that language relate to the reality they seek to capture in their poems?
In a time when the image culture becomes more and more invasive, the visual poem has fallen out of favour. Five poets will make an attempt to bring this tradition back to life: Wim Brands, Def. P, Hagar Peeters, Alfred Schaffer and Simon Vinkenoog. At Winternachten's request each one of them chose a recent newspaper picture and wrote a poem for this. We see the pictures and hear the poems read by the poets. The poets will take part in a discussion during the evening, chaired by Cox Habbema.
Hagar Peeters and Menno Wigman represent a generation of poets well known for their performance qualities. For Winternachten they compiled a special program with Dutch love poetry. Direction: Carel Alphenaar. Dutch spoken.
How do women write about love? Female writers from four continents spoke about the way they describe passion and love in their prose and poetry. "Love builds itself a Hell, in spite of Heaven.", writes Annel de Noré from Surinam. "An end to writing poetry on love for today", states poet Hagar Peeters, when writing threatens to replace love itself. An evening in Theater Bis in Den Bosch.