(Karlsruhe, 1986) made a splash with her controversial debut novel Ellbogen (Elbow). The book won the Klaus Michael Kühne Prize. Aydemir, granddaughter of Turkish labourer immigrants, writes about a girl with Turkish antecedents who is so frustrated by the discrimination she encounters daily that, during a drunken spree, she pushes a student in front of the metro and then flees to Turkey. She feels no remorse. "Ellbogen is a punch in the gut. Or rather, two. One for the misogynistic Turkish community. And one for the hypocrisy of our oh so liberal society," wrote the Süddeutsche Zeitung newspaper. Aydemir studied German and American Studies in Frankfurt. She writes for the newspaper taz about Turkish pop culture. She also set up the bilingual webportal taz.gazete as a reaction to the restriction of press freedom in Turkey.(2017)
Archive available for: Fatma Aydemir
Writers talks about their favourite book - the book that inspires or moves them; the book that formed their aristic, moral or intellectual compass; the book that they would recommend to anyone.
Rage is wafting around Europe. Rage in many forms and voices, but perhaps also from a common source. Led by author and cultural historian David Van Reybrouck, writers from various European cities delineate and interpret this rage from their own environments and perspectives.
Some Europeans think that our continent is denying its origins and heading towards cultural suicide by opening itself to the culture of strangers. Others believe that Europe is mired in colonial reflexes and prejudices, and falls short in terms of welcoming new citizens. Yet others see only a Europe of interference and technocracy, bereft of passion, imagination and democratic vitality.
Multitalented author and playwright Van Reybrouck wrote high-profile books such as Congo: A history, and essays such as "A Plea for Populism" and "Against Elections". Fatma Aydemir's debut novel Ellbogen (Elbow), about escalating violence in the U-Bahn, recently divided critics and readers in Germany. Grazyna Plebanek, originally from Warsaw, lived in Stockholm for a few years and in Brussels since 2005, where she works as a journalist and writer of short stories and novels. Until 1989, art historian, poet and essayist Magda Carneci published under a pseudonym in Bucharest; these days, she is, among others, Editor of Revista ARTA.
As counterpoints, Rodaan Al Galidi recites some of his poems, Gerda Dendooven creates illustrations and Stefka and Amer Shanati play their music.
The longing for a strong collective feeling has once again become a source of social movements around the world. That "we"-feeling feeds passionate new emancipation and indentity groups. It also causes social fragmentation and conflict.
Brotherhood, the third pillar of democracy from the French Revolution, has long been viewed as a less inflammatory societal value compared with Freedom and Equality. But the comeback of a strong collective feeling is connected to high levels of polarization and conflict in society.
Bas Heijne, winner of the P.C. Hooft Prize for his essays and a prominent NRC newspaper columnist, investigated why the power of a longing for Brotherhood is underestimated, with the help of Flemish cultural historian and writer David Van Reybrouck, Turkish poet and philosopher Efe Murad, German novelist Fatma Aydemir and Polish novelist and journalist Grazyna Plebanek. Together they looked for the contemporary words to express a sense of collective bonding.
The conversations were accompanied by performances of poetry slam-talent Sanam Sheriff (India), by live drawn illustrations by Gerda Dendooven (Belgium) and by music performed by classical accordionist Oleg Lysenko (Netherlands) and soprano Elisabeth Sturtewagen (Belgium).