(1958) is a lecturer on the esthetics of music and cultural philosophy at the Royal Conservatory. Since his time as a university researcher, he's been working in the border areas of philosophy, where it encounters literature, theatre and politics. He has published on themes of esthetics, metaphysics, political philosophy and the philosophy of law. According to Dommisse, all philosophy is again facing the challenge to link to an academic level of thought, with the need to carefully bring it into the public sphere. Theatre companies seek him out for wanted and unwanted dramaturgical advice. He is involved with the work of Thomas Mann and Pasolini, and nurtures a passion for Shakespeare. In 2016, together with STET English Theatre, he organized a Shakespeare festival.(2017)
Archive available for: Tom Dommisse
The speech is a powerful instrument. Through its form and content it is by definition also very filmic. Christopher Nolan knows this as he uses one of the most famous speeches - Winston Churchill's We shall fight them on the beaches speech - in his film Dunkirk.
The speeches that are remembered and revered are often those that mark historical turning points. Such as Robert Kennedy who, right after Martin Luther King got murdered on April 4, 1968, finds the power to state that it is best to accept the moment hoping that we grow wiser in time. These historic speeches keep returning in movies. But how about the present day speeches? Are historic speeches something from the past?
Gerlinda Heywegen and cultural and political philosopher Tom Dommisse discussed the function and beauty of the speech, based (of course) on some well-chosen exceprts from film and television.
While the United States welcome their new president, the festival is investigating another one: Frank Underwood, star of House of Cards. Philosopher Tom Dommisse wrote an article that is the basis for a discussion between The Hague Filmhuis programmer Gerlinda Heywegen and Felix Rottenberg, touching on fragments from the series. How are politics presented in the Netflix hit series and what image of themselves do real-life Underwoods create? And what is the imact of all this on how we think about politics?
Felix Rottenberg is a director, moderator, chair of the academic bureau of the PvdA labour party, and writer of a weekly column in Het Parool newspaper.
If you want to understand today's bad guys, take a look at the characters Shakespeare created four centuries ago. We can easily recognize Putin, Saddam Hussein or Eichmann in characters from Macbeth, Hamlet or Richard III. These are bad people acting from clear motives like jealousy, passion, rage, blind ambition, or bitterness. Shakespeare scholar and philosopher Tom Dommisse introduces the villains in clips from screen adaptations from countries like Russia, Japan, Great Britain and the United States. Film connoisseur Gerlinda Heywegen engages him in discussion.